I Celebrated my 25th birthday this month. let me be true i don’t like b’days any more, not after my 25th year. It reminds of Milton’s poem on his 21st b’day, T.S.Eliot’s piece of advice given to poets saying…”the historical sense is clearly indidpensible to anyone who continues to be a poet beyond his twenty fifh year”, a writer’s advice “call yourself a poet only after your twenty fifth year”. May be i’ll understand now, why all of them stressed on the number twenty five. The burden that may fall from such an understanding might be unbearable.

What does it mean to be a poet after the twenty fifth year? let’s not consider poetry as rhyming lines, it is any form of creative work. Is is only after twenty five years of experience can you transform any creative work from “expression or overflow of powerful (lets add personal too) feelings” into what Eliot called “Impersonal Poetry”, free from self-idulgent emotionalism.Is it that between the sort of experience which makes a person and the sort of experience that makes a writer there lie a twentyfith year, when she/he is metamorphosed from a bundle of second-hand sentiments into a writer who might be of some value, who may make his/her personal feelings into Universal experiences?

I don’t know if the years now will allow me to be a poet, a writer who can transform silly, sentimental, egotist sensations into universal emotions, into something worth reading; if i’ll be able write with history in my bones…here starts my journey.

It’s a girl
So you found out?
nothing’s all that illegal.
Thankyou so much.

ma, doctor says it’s a girl.
Anmol, we don’t want it
but ma…neelanjana wouldn’t agree.
you’ll have to make her come to it…
but…no! not when i tell her…
no Anmol beta..it cannot come. not now. not after the hawans, the daily pujas, the pilgriamage we took, the offerings i promised god, all for a dear son. after all this, even after all this…no! we cannot let it come. it’s all the devil’s doings. the devil in neelanjana’s mind.she kept telling me, time and over, “ma, it’s a girl, it’s got to be a girl” the devil in her mind. she’s possesed. we’ll have to free her…ask her for abortion.

so they have discovered me, my father and my grandma conspiring against me. listen mumma. they have found us. they’ve found me. but see how late. i’m already a big girl. can they do anything to us now?
mumma did not answer me. she was lost in a reverie. her heart was boiling next to me, so heavy was its breathing. she was in a bathroom next to the drawing, leaning against the door, listening to my father and grandma conspiring against us. she stayed there for long lest she should be caught eavesdropping.

“how could Anmol do this to me? isn’t he the one who calls himself a human rights activist. fighting against all kind of atrocities..is that the real he…and he talks of devil. devil in my mind? devil in my…”

mumma was thinking aloud wiping her hot tears with her starched cotton odhni. she is a mother after all. mother of her desires, her dreams, her happiness, her pains, but she cannot be a mother to me. she isn’t allowed. she is not a mother to be. she is a mother not the master of all that she thinks she possess.

“oh! neelanjana how young we both are. isn’t it too early to think of a child?” Father spoke to mumma, caressing me, her belly. mumma as always was silent.
“let’s gather roses while we may…after that what shall remain, we’ll grow old, rear children, grandchildren, the burden of a family….”

mumma! say something, say you wouldn’t let it happen. say you need me mumma , say i’m closer to you than he is. I am mumma, i’m a part of you. i am you. no! she wouldn’t say. she is afraid of him. oh! you coward mumma, you cannot let me die in your womb. you know how old i am. remember the day i was born? when you first bled in your teens, when grandma said “oh my daughter is a woman now, this blood is your childen yet to be born in flesh. it would keep gushing out until you give it a form and then there will no blood, only flesh.” remember you asked her “what will it be mother- a girl or a boy?” and she said “whatever you wish for my child” and you said mother, do you remember? the date of my birth?, you said it will be a girl, a beautiful girl. it is a girl and there i was. every month you gushed me out in blood always saying to me “you haven’t a form yet, my baby. but you are here, always here, in my heart, growing everyday.”

where are those lovely frocks? the frills on them? the pink, white, blue ribbons you stiched to adorn me with. you fancied me in your dreams, your daughter a fairy. now! don’t you want to see me, your beautiful daughter? now i am flesh, all flesh. i’m blood no more. tell them mother i’m blood no more that you can gush it out on a napkin, pack them in black polythenes and forget about them- your unborn children.

but now you sleep, unware of me- you two. mother! are you listening? she started belching early in the morning, puking everything she had eaten at night. leaning against that wash basin ……. but now everthing she had eaten is out. she doesnt’ stop. she has her finger in her mouth, while she belches- her stomach, her entrails have contracted to push out something- what is it? her stomach has nothing else but me. she wants me out. no mother, please! i’m too big for your gullet, for the wash basin, for the tiny little holes that seive your dinner, for the drain pipe, mother! i’m too big now. but she wouldn’t stop. she is eating again, so that it may come, so that it brings me along.

she sings me a lullaby as she swings herself on a sofa, she is singing me to sleep or is it death mother? no! they wouldn’t do anything to us. she is praying. she is singing, she is calling someone. she is pleading him. but she is talking of another world, another life, another birth. she sings the same old song agle janam mohe bitiya na kijo…ab jo kiye ho data aisa na kijo…but you are my god mother. this life mother? will you not….let me live it mother.

Father and grandmother made all attempts to convince mumma but she wouldn’t agree. what for? she asks them but never waits for an answer. She will never be able to hear from her love, Anmol when he says “because it is a girl Neelanjana. mother wants a boy and then our dire straits, from where will all the money come for her education, her wants, her wedding and groom? just think of it. who would ever love her the way we would. Can we allow ourselves to do such injustice to our own child? Then you know it yourself what life it is for a girl in a city like ours. High time we think of population control, see where our country is heading, think about the generatons to come, there will be no water, no food, no fuel….”

think mother think! think of yourself. think about me. i do not want to die. i want to live with you, in your care, i want to listen to your stories, i want to know how i came, i want you to see me grow into a lady, i want you to pat me to sleep, to comb my hair into pig tails and drop me to school with a bag, and a tiffin and that red water bottle mumma, the one you kept for me in your diwan, the chocolate pieces pencil box…

Thank you mumma.i am your flesh now. oh, the smell of your skin, your starched cotton odhni, your caress, you are so beautiful.

but where are you now? i cannot breathe.They are digging your backyard. There is a stomach of concrete, the hard shell, they are pushing me in, i am crying, i am calling you but they have gagged my mouth with your cotton odhni. They have tightened the lid. i cannot breathe. where are you?

They must have told you, the nurse too conspired against us. and the doctor you call your friend. they must have told you. “it was a still born”. you know mother? they have dugged me to death. but i am growing. the concrete stomach has delivered a still born. the worms are feasting on me. the ants are taking my flesh away holding me by their mouth, moving in a bee line. do they know of beauty mother? your moon baby is eaten away. what they know of art? of creation? they know only instinct, desire, food, stomach. they do not even ask me . who i am. why i am here. they have no purpose. they only have holes from where they come and go.

i see there’s someone digging in. is that my brother? he is observing the ants, the food they have stored. he is digging the holes. is he looking for me?

your chants to the sun god, your kalshiya water has nourished a rose, a bunch of roses. how beautiful you are, still. mother, i know you think of me when you open your diwan for diwali washkeeping. how you cry over those frocks you stiched for me. but i am not alone. i have so many sisters. we have bloomed in your backyard and we play with the wind. you wouldn’t let the mali pluck your daughters. you will pick them yourself to decorate your gods, the gods that give you sons.

****
© Copyright by tina rathore

People often ask me if i believe in god, santa claus, ghosts. but no one ever asks if i believe in believing. when i’m burdened with a task of believing in anything i have to let all my years of training in reason, intelligence, wisdom, inquisitiveness to rest. This is something i find most difficult to do.

From childhood we are made to scientifically and logically develop our views. We are taught that for a premisis to be true it should have grounding in reason. If there is no proof there is no truth. We are trained to our five senses so rigorously that anything which fails to satiate them is non-existent, an illusion- something that is to be casually dismissed with a smile. Gradually we become slaves of the five senses, never attempting to serch the sixth. We have to hear a person moan before we conclude how unhappy he/she is, we have to have someone express themselves for us before we realize what we are doing to them. We become apathetic to things we fail to see. We always need someone to work for us, think for us, act for us. We are so bound to our tangible knowledge that we fail to see beyond or beneath it. All our childish fancies- a product of far fetched imagery of carefree mind gradually become a thing to shy away from and we succumb to one and the only god- reason.

The wiser we grow the farther we get from the transcendental act of believing. We end up weighing prons and cons of every situation by a systematic logical reasoning, everytime losing the link beyond our senses.

You’ll be given a hundred reasons not to believe in ghosts, santa claus, telepathy, horoscopes, the tooth fairies, speaking stars because ther are non existent. But why don’t they exist? Only because we heve no proof? It’s because we think we need them no more. Gradually we lose our capabilty in the act of believing, how to perform it. We grow skeptical of every next thing we come across, every next person we meet. People forget to believe in themselves,in their loved ones, in their capabilities, in the potential of their existence and amidst such despair belief takes a ceremonial status.

It is only when destiny shocks us, when we suddenly discover the fultility of our acts, when nothing seems reasonable, when no reason comes to our rescue do we want to believe in something. It is only then we find ourselves stripped of belief, the higher self, the inner god. It is then we act as passive reciepents of inevitable pain unaware of the methods that may allay it. It is then we want to go back to our childhood when we believed; in fairies, santa claus, ghosts- and believe that there is a higher power called God. With this discovery we discover our true self, we discover a fairyworld.

****

accepted. i am an inmate of a secondary school on house arrest. no hostel arrest. my warden is watching me, she says she knows me nerves and all. through the blind camera hole she keeps me updated in her azure blue register, on the left hand corner where i sit,writing me in words rubbing her fist against the surface right to left, right to left straightening the line with the nib of her fountain pen.

my roomate too keeps an eye,not on me but on my wall. my wall shies away in its veil from these eyes, bare green and white, my wall staring back at him, they play dare-the wall and my roomate. i between them, transfixed, forlone, inexistent. so you see! my roomate is as much a friend to me as my wall or my warden is. we three- me, my roomate and my wall share a communion of sorts.but i’m much closer to my wall.

the wall beside my bed is full of multicoloured papers. at one end there is a long list of do’s and dont’s. my school time table at the other corner. recently one of my friends gifted me a graffiti board on my birthday. what am i to do with it? i asked them unthankfully. “it’s just a way to remind you what we think of you. paste it on your wall and we will scribble on it everyday. this is our friendship board.” they went on and on not paying heed to my relent.

so here’s another thing to be hung. there’s a clock hanging on a nail pierced into my wall. mama says it is there to help me keep track of time, so that i do not keep moving towards past or get stuck in present. but this clock is very apathetic to me, very unlike my wall. a poor piece of plastic, doesn’t it know when to stop? there are so many of the kind everyehere. one with a cuckoo that peeps out and sings everytime as the clock strikes, eight, nine, ten. what shame, i tell mama, a plastic immortal cuckoo mocking at us, cuckooing us to our graves. and then there is another with a white piegeon hatching the time keeper underneath. now this one is still better, this pigeon, a true mother, an epitome of motherhood. russians must me going crazy opening the pigeon boxes. rest are all geometrical figures, square, circle, rectange, triangle, pentagon. none of the enclosed figures are found successful in capturing time. they are all useless. some of them don’t even agree. they are either a few minutes fast or lagging. the one on my wall never assists me. it dictates me. they have hung it there, my mom and dad. but i don’t like it. “it’s not there for me, i’m here for it” i explain mama when she scolds me for using her sofa to put the batteries off. then i would go out and play to return without having wasted a minute. i move a quick 180 and here ends my tution. someday i would live my life like that and i’ll call it a quicky. and may be sometime i’ll hold it there for all my breaths. but mama insists it dosen’t happen like that. she would show me all other watches i’d forgotten to stop. what i don’t understand is why should i be bothering about otehrs, am i not only accountable to mine?

so my friends keep scribbling on the grafiti board they have hung on my wall. they claim they know me, more than, they say, i know myself, but nothing they write is the real me.everyday it brings me closer to the mask, i never knew i was wearing.

my wall too wears a mask. dosen’t it writhe underneath? “my wall’s suffocated, my wall’s suffocated” i keep telling my warden when she enters my room with a pin and paper to be stuck onto my reminder board. she mercilessly sticks the pin into the heart of my wall mumbling “walls don’t breathe my boy!”

my reminder board is getting crowded every passing day.the most basic of daily chores are listed here. the list starts with a long breath at 5 am to close your eyes at 10 pm. i practice them without fail, bacause the camera hole through which my warden watches me stares at me without a blink.

the mosaic on my wall hides in it something my warden is unaware of.if you someday clean up all the mess that suffocates my wall you will see a window whose curtains are folded in a knot, beyond the window there is a sea, a sun, a sailor roaring his boat towards the lighthouse that shines brighter than the sun. there are birds in flocks heading homeward into the light blue sky.

but then she would come with a list of do’s and dont’s wiping the camera hole with a hand-me-down T.shirt sticking another reminder that reminds me of sun outside. my friends would come scribbling on my wall, the masked i.

I asked my warden the other day for a pack of creyons to paint my wall. she dismissed it with a smile directing me to the classroom where she taught us for a good one hour how to paint a wall. my pelette is full of transperent colours.

no. i cannot do what others do. the warden’s not watching them or how else can they dare do what i fear doing. how do they escape the camera hole? i want to ask them but the warden is watching me and writing me in her azure blue register- how indelible my life is becoming. how can i dare what they dare- the delible lives. she has but one register , she never reads it though , she never rewrites it either. she will not write my life again, she will not scrap, edit, revise- she’ll sell my soul in the cheap market of sahisra, the wednesday market, the black market, the transperent market, naked.

***

© Copyright by tina rathore

i will fight no mo suffer
i will act no mo suffer
i will dictate no mo suffer
i will escape nomo suffer
i will insult nomo suffer
i will cry nomo suffer
i will betray no mo suffer
i will earn no mo suffer
i will drink it away no mo suffer
i will build mosques no mo suffer
i will say talaq no mo suffer
i will roam naked no mo suffer
i will rape no mo suffer
i will lose my mind no mo suffer
i will remain no mo woman
i will become a man no mo suffer

© Copyright by tina rathore

insomnia
dreams trouble
no more.

—-

“stay” he said. stayed i
all our life composed a song
never sang.

—-

daydreaming
one night
many dreams.

—-

at a read meet
draught of caffe latte, sip of poetry
sound of digestion.

—–

abc abc
one two three one two three
no time for a change.

—–

a chance look, half inch smile
dowry bargained
knots tied.

—-

grenades bombs missiles
pieces of flesh; camera zooms
another story.

—-

a thesis
rewritten words; a blank
left empty.

—–

gush of emotions
choked throat; a gulp of water
digested cascade.
—–

a glass of water
choked throat brim eyes heaving chest
revolution ends.

——

© Copyright by tina rathore

for once
do not
look at me
as
amma’s daughter
ba’s caretaker
bitiya’s mother
bahadurs malkin
ms. k’s neigbour
meera’s friend
your bride
and ask me
what i want.

© Copyright by tina rathore

unbearable_kundera_book_cover

Milan Kundera’s The Unbearable Ligthness of Being
By Milan Kundera. Translated from the Czech by Michael Henry Heim.
Faber and Faber. 1984.
ISBN 0-571-13539-0 pbk

Milan Kundera’s The Unbearable Ligthness of Being is a fictional representation of his philosophical ideas. the book centres on Nietzche’s philosophy of ‘eternal return’- that this life as we live it at present, and have lived it; we will have to live it again once more, and also innumerable times; and there will be nothing new in it but every pain and every joy and every thought and every sigh, and all the unspeakably small and great in our life must come to us again, and all in same series and sequence, and that ” the recurrence will recur ad infinitum.” Kundera plays with this idea, offering an alternate interpretation: each of us has only one life to live, and what happens once will never occur again. He calls this idea of living once as “lightness”, and refers to the concept of eternal return as “heaviness”" or “weight”. Kundera makes his characters an embodiment of his own philosophy.

Thomas, the protaganist of the novel is a surgeon, an incorrigible womanizer who is unable to resist his unending stream of meaningless sexual flings. He loves Tereza but cannot ,and will not resist his freudian instincts. Kundera, like D.H.Lawrence gives a fresh perspective on the duality of soul and body, love and sex. For Lawrence they are one where sex is a mode of spiritual trancendence and body only a medium. For Kundera they are discreet entities where sexual flings are just a way to escape the ‘heaviness of being’. Thomas’ constant infidelities towards his wife, Tereza is only a way to avoid the recurrence of the sexual act with the same person, a way to escape the weight of eternal return. it is Tomas’ quest for lightness. kundera puts his philosohy in these words- “Love does not make itself felt in the desire for copulation but in the desire for shared sleep.”

But Kundera questions over and again? is lightness-the lightness of absolute freedom- of a life tied to nothing bearable? Sabina is the only character who achieves the unbearable lightness of being- because she cuts all ties. And she ends up with a lack of past, of future, of context, of meaning.

In describing the effect his idea of “lightness” has on a person’s life, Kundera says Einmal ist keinmal (”what happens but once, might as well not have happened at all,. If we have only one life to live, we might as well not have lived at all”). By this logic life is, ultimately, insignificant; in an ultimate sense, no single decision matters. Since decisions do not matter, they are light – that is, they don’t cause us suffering. Yet simultaneously, the insignificance of our decisions — our lives, our being — causes us great suffering. Hence the phenomenon Kundera terms the unbearable lightness of being: because life occurs only once and never returns, no one’s actions have any universal significance. This idea is deemed unbearable because as humans, we want our lives to mean something, for their importance to extend beyond just our immediate surroundings.

does recurence makes life meaningful, bearable? Kundera things it does. but then recurence is a burden, a suffering where there is no room for improvement on our previous deeds.we will have to live our decisions forever. Nitzsche calls it the heaviest burden. but then it makes life meaningful and this is exactly every individual wants. it is the heaviest burdens that can free us from nihilism, from the meaninglessness of our existence.

Kundera’s philosophy and imbeded narrative makes the novel a very different reading experience. you may find Kundera’s philosophy exhilirating but its representation in a fictional narrative is somewhat weak and repulsive. The pages are filled with the protaganist’s preoccupation with sex, seems like a doctor’s sugar coated dose to a patient.

The opening may sieze you but it doesn’t sustain. you will have to go on reading on a lookout for the same capturing lines.

He who can, does
He who cannot, teaches.

G.B Shaw mocked the time-honored profession of teaching. In the era of globalization when every asset is valued in terms of its marketability we are bound to think of the credibility of the thought. What is it that has made the venerable bond of seeker and imparter of knowledge fall from its pedestal? I came to think of it only when I chose academics/teaching as a profession. On the first day of my lecture a student asked me why have i chosen teaching as a profession when there are other better options available to me. I smiled with a ready consecutive question why not teaching? Why compare it? Yet, the truth remains. I did not have an answer to the question and if there was any, I chose to leave it unresolved.

Teaching as profession remains unattractive to many. It engages either those esp. women who are looking for an easily manageable, part time jobs or to senior citizens, the great men of intellect who wish to share their life long experience and knowledge with the younger generation.

It is often taken for granted that teachers are failed individuals. the mushrooming coaching centres that have made education a business have added fuel to the fire. When the best of Govenment colleges boast of iit/iim alumni teaching at their universities you’ll hear students ask…”what on earth are they doing here?” Students often have a “i know better” attitude towards their proffesors/teachers. no harm in that if one genuinely thinks so, it may happen at times, but the problem is they apply it everywhere, to everyone, all the time. They are prejudiced to begin with.

The challenges put forward by teaching profession are known to few. Teaching is not, as many believe, preparing students for exams but preparing them for life. it is not helping students making them aware of rights and wrongs, do’s and dont’s but inculcating in them the faculty to be able to do it themselves. It is not a propaganda where beliefs, tradition, facts are made to be accepted unanimously, be it science, religion or a political opinion but a freedom of development. It is not cloistering individuals in the panorama of the canonical texts without giving purposeful insight to their usefulness but helping them make their own canons. It is not binding a student to the clutches of tangible knowledge but raising him to self-enlightenment, a blessing (’atma dipav bhava’) sages gave to their choicest students. It is not a rigorous practice to make individuals mimicking parrots but what Emerson called “Thinking Individuals”.

No doubt the standard of education is deteriorating in our country. people today are in search of more productive professions leaving the chairs in many a universities/colleges vacant. The Government is doing little to fill the vacant seats at the state and central universities. So much so that many govenment, private and government aided colleges are run solely on the basis of part time lecturers/guest faculties who are not even qualified enough for the post they hold.

What is Government doing to combat the problem? opening more and more universities? but where are the resources? where are the teachers? emphasis should be first paid to qualitative education. even if we are able to have 100 percent litteracy, how many of the educated lot are actually competent enough to change their own lives? What use is such education if it only teaches you to earn a living, rest all gone to the garbage.

when i talk to the villagers, the so called uneducated, illeterate lot, i discover everytime how they are so much beter in IQ, reasoning though they may not know how to read and write….i discover everytime how our education system is failing us.

we ‘think’ we know when we don’t, we ‘think we are educated when we are only literate, we ‘think’ we can think when all we do is ‘know and believe’ what others think, we have become slaves of reason, where’s religion, morality, things beyond reason gone? life is so much more than what we are taught. Where is the wisdom we need to live it b’fully? do we have it? by calling ourselves ‘educated’ we are fooling ourselves, we are no better than people who are ignorant, they know the art of living.

i live
those moments again
erasing
my life
to return
where
i started
i find
another moment
entrapped
empty
i erase it
again
in search
of meaning
forgetting everytime
the meaning
of meaning
with every flutter
of my wings
i fly
to places
where i
always am.

© Copyright by tina rathore